Because I really regret not being able to partake in more of the conference. It sounded amazing and I can't believe I missed hearing Sharon Creech speak! She (and Natalie Babbitt) is probably my favorite living author, her book Castle Corona indirectly inspired Where the Mountain Meets the Moon-- I used it to show my publisher how beautiful a novel in full-color would look...and it convinced them!
And what made it even worse is that by getting to the conference so late they ran out of her books at the store (and I was not far-seeing enough to set aside my already-owned copies of her books in an easily identified box) so I missed out on getting a book signed! Boo hoo! But I thought at least Rain Dragon and I could get a photo...and what a photo it is:
Look at Rain Dragon's face! Ha ha! I think she is feeling some professional jealousy out of loyalty to me.
However, even with my less-then-auspicious state of mind, the NESCBWI conference was (as Anne of Green Gables would say) an epoch in my life. Because, as I've mentioned before, while I am proud of how much I've improved as a public speaker, I'd never consider myself great at it.
But somehow, in the company of fellow children's book author and illustrators and their welcoming, understanding energy, the elements combined and my speech* was so well-received that I actually got a standing ovation.
|photo courtesy of Victoria Lindstrom|
This was a first for me! I was very surprised, but also so grateful. It was a lovely moment, lifting me out of the dismal gloom of moving. Thank you, NESCBWI!
*small footnote: in my speech I spoke about how an editor at Charlesbridge asked me to change an Asian girl character to a caucasian boy character because it would pigeonhole me as a multicultural author/illustrator. I'm a little afraid I might not portrayed the story with as much entirety as I intended and people might be judging the editor and the publishing company unfairly.
-In defense of the editor (who I'll leave nameless unless he wishes to out himself online) his suggestion was his way of looking out for me, trying to make sure I didn't get branded in a way I didn't want. And, he was right. When my second book featuring Asian characters came out, I was immediately pigeonholed as a multicultural author.
-In defense of Charlesbridge, this was over 13 years ago when they were just starting their fiction line (before that they had been mainly known for educational, non-fiction books). The entire staff has changed since then and their company policy is now known for embracing books with diversity (like Mitali Perkins' Bamboo People)--they are company anyone would be proud to be published with!